Chapter 1. Research Framework
1.1. Research Objective
1.2. Product Overview
1.3. Market Segmentation
Chapter 2. Research Methodology
2.1. Qualitative Research
2.1.1 Primary & Secondary Sources
2.2. Quantitative Research
2.2.1 Primary & Secondary Sources
2.3. Breakdown of Primary Research Respondents, By Region
2.4. Assumption for the Study
2.5. Market Size Estimation
2.6. Data Triangulation
Chapter 3. Executive Summary: Global Online Music Education Market
Chapter 4. Global Online Music Education Market Overview
4.1. Industry Value Chain Analysis
4.1.1. Creation
4.1.2. Production
4.1.3. Distribution
4.1.4. End-Users
4.2. Industry Outlook
4.3. PESTLE Analysis
4.4. Porter's Five Forces Analysis
4.4.1. Bargaining Power of Suppliers
4.4.2. Bargaining Power of Buyers
4.4.3. Threat of Substitutes
4.4.4. Threat of New Entrants
4.4.5. Degree of Competition
4.5. Market Dynamics and Trends
4.5.1. Growth Drivers
4.5.2. Restraints
4.5.3. Challenges
4.5.4. Key Trends
4.6. COVID-19 Impact Assessment on Market Growth Trend
4.7. Market Growth and Outlook
4.7.1. Market Revenue Estimates and Forecast (US$ Mn), 2017 - 2027
4.7.2. Market User Estimates and Forecast (Mn Subscribers), 2017 - 2027
4.7.3. Price Trend Analysis
4.8. Competition Dashboard
4.8.1. Market Concentration Rate
4.8.2. Company Market Share Analysis (Value %), 2020
4.8.3. Competitor Mapping
Chapter 5. Global Online Music Education Market Analysis, By Instrument Type
5.1. Key Insights
5.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
5.2.1. Piano
5.2.2. Guitar
5.2.3. Banjo
5.2.4. Violin
5.2.5. Other
Chapter 6. Global Online Music Education Market Analysis, By Type
6.1. Key Insights
6.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
6.2.1. Music History
6.2.2. Musicology
6.2.3. Theory
6.2.4. Others
Chapter 7. Global Online Music Education Market Analysis, By Session Type
7.1. Key Insights
7.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
7.2.1. Solo
7.2.2. Group
Chapter 8. Global Online Music Education Market Analysis, By Organizer Type
8.1. Key Insights
8.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
8.2.1. Schools
8.2.2. Music studios/academy
8.2.3. Professionals
Chapter 9. Global Online Music Education Market Analysis, By Learner Type
9.1. Key Insights
9.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
9.2.1. Beginners
9.2.2. Hobbyists
9.2.3. Professional Musicians
Chapter 10. Global Online Music Education Market Analysis, By Region/Country
10.1. Key Insights
10.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
10.2.1. North America
10.2.1.1. The U.S.
10.2.1.2. Canada
10.2.1.3. Mexico
10.2.2. Europe
10.2.2.1. The UK
10.2.2.2. Germany
10.2.2.3. France
10.2.2.4. Spain
10.2.2.5. Russia
10.2.2.6. Rest of Europe
10.2.3. Asia Pacific
10.2.3.1. China
10.2.3.2. Japan
10.2.3.3. India
10.2.3.4. Australia & New Zealand
10.2.3.5. Korea
10.2.3.6. ASEAN
10.2.3.7. Rest of Asia Pacific
10.2.4. Middle East & Africa (MEA)
10.2.4.1. UAE
10.2.4.2. Saudi Arabia
10.2.4.3. South Africa
10.2.4.4. Rest of MEA
10.2.5. South America
10.2.5.1. Argentina
10.2.5.2. Brazil
10.2.5.3. Rest of South America
Chapter 11. North America Online Music Education Market Analysis
11.1. Key Insights
11.1.1. North America Market Outlook (Revenue/Subscribers/ARPU)
11.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
11.2.1. By Instrument Type
11.2.2. By Type
11.2.3. By Session Type
11.2.4. By Organizer Type
11.2.5. By Learner Type
11.2.6. By Country
Chapter 12. Europe Online Music Education Market Analysis
12.1. Key Insights
12.1.1. Europe Market Outlook (Revenue/Subscribers/ARPU)
12.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
12.2.1. By Instrument Type
12.2.2. By Type
12.2.3. By Session Type
12.2.4. By Organizer Type
12.2.5. By Learner Type
12.2.6. By Country
Chapter 13. Asia Pacific Online Music Education Market Analysis
13.1. Key Insights
13.1.1. Asia Pacific Market Outlook (Revenue/Subscribers/ARPU)
13.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
13.2.1. By Instrument Type
13.2.2. By Type
13.2.3. By Session Type
13.2.4. By Organizer Type
13.2.5. By Learner Type
13.2.6. By Country
Chapter 14. Middle East & Africa (MEA) Online Music Education Market Analysis
14.1. Key Insights
14.1.1. MEA Market Outlook (Revenue/Subscribers/ARPU)
14.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
14.2.1. By Instrument Type
14.2.2. By Type
14.2.3. By Session Type
14.2.4. By Organizer Type
14.2.5. By Learner Type
14.2.6. By Country
Chapter 15. South America Online Music Education Market Analysis
15.1. Key Insights
15.1.1. South America Market Outlook (Revenue/Subscribers/ARPU)
15.2. Market Size and Forecast, 2017 - 2027 (US$ Mn)
15.2.1. By Instrument Type
15.2.2. By Type
15.2.3. By Session Type
15.2.4. By Organizer Type
15.2.5. By Learner Type
15.2.6. By Country
Chapter 16. Company Profile (Company Overview, Financial Matrix, Key Product landscape, Key Personnel, Key Competitors, Contact Address, and Business Strategy Outlook)
16.1. Berklee College of Music
16.2. The Juilliard School
16.3. Lessonface.com
16.4. Moosiko
16.5. MusicGurus
16.6. AAFT School
16.7. VIP Peilian
16.8. Skoove
16.9. TakeLessons
16.10. Berklee College of Music
16.11. Point Blank
16.12. Tonara
16.13. Yousician
16.14. TakeLessons
16.15. Other Prominent Players